There are excellent dance gurus whose students are well honed to dance as part of a group but cannot hold the stage alone.Though his father encouraged Ratikant to explore his own ideas in dance, the son sensibly was unwilling to do so while the master architect of Odissi was still able to do so. Similarly, an individual solo dancer needs a consistent and dedicated set of musicians for years to have the freedom to improvise and develop new ideas in movement and textual interpretation in front of the audience. It is good that we have the treasured teaching and compositions of Kelubabu with the subtlety of expression and nuanced evocation of rasa and also the splendid, dynamic, world class Srjan choreography of Ratikant Mohapatra. Again and again, powerful images were not only more effective but only possible with the collaboration of light. She can be contacted at sharonlowen.In 1993, Ratikant Mohapatra convinced his father, Padmavibhusan Guru Kelucharan Mohapatra, to establish their personal dance institution Srjan.At times a central figure of Ardhanarshwar was created with two dancers inventively allowing four arms to capture the non-duality of the male and female aspects of Shiva-Parvati with one dancer hidden behind the other.

At the time, Kelubabu was in his late 60’s, happily and securely based at the Odissi Reseach Centre (ORC) created in Bhubaneswar by one of his pre-eminent disciples, bureaucrat KumKum Mohanty. China supply LED license plate lights When four dancers created the identical Devi, there was no sense of the old fashioned "group solo" of yesteryear’s group ensemble; instead, the quickly changing groupings melted from image to image.Similarly, Ratikant’s choreography moves quickly, and he has made well-conceived variations on some typical arm patterns so that there is no need for dancers to change the torso with each step. This adds to synchronisation of the group and the needs of the time, though I did miss the torso movements just a few times. Those that come immediately to mind include the Aditi Mangaldas Dance Company, Kalakshetra, the Nrityagram duet company and Srjan.. The images of nature: lotuses, deer, elephant and the beauty of Bharat, the ploughing and planting had the special magic of the master. As Devi Prasad is part of the daily rehearsals.Dancers sitting in a circle on the floor with their feet splayed out were a gorgeous image in partnership with the top and angled blue lightning, it would not have worked in full light and would not have been there without full confidence in the light as equal to space and rhythm in the choreography